art object
英 [ɑːt ˈɒbdʒɪkt]
美 [ɑːrt ˈɑːbdʒekt]
网络 艺术品; 艺术物品; 艺术对象; 艺术物; 一种艺术对象
英英释义
noun
- a work of art of some artistic value
- this store sells only objets d'art
- it is not known who created this piece
双语例句
- Art becomes the object of popular consuming.
艺术成为大众消费的对象。 - Oriental Art is the object of study in Hegel's Aesthetics when he talks about symbolic art in his Aesthetics.
黑格尔在《美学》中论及象征型艺术时，以东方艺术作为观照对象，但他对东方艺术存在着明显的误读。本文从三个方面对此进行了论述：一、黑格尔观点的片面性； - Chooses yellow from the art song is the object of study, I have the following two considerations: On the one hand Mr. Huang Zi to our country modern times music and art song development influence.
选择黄自艺术歌曲为研究对象，我有以下两点考虑：一方面黄自先生对我国近代音乐和艺术歌曲发展的影响。 - With the two art districts as the object of study, this thesis, starting from multiple angles, conducts the field investigation including case study, interview and questionnaire respectively, and interprets the two districts theoretically and endows them with certain significance.
本文选择两个艺术区作为研究对象，从多角度出发，分别进行个案研究、访谈、问卷调查等田野考察，对两者进行理论性阐释并赋予其一定意义。 - Advertisement art should follow the advertisement object with stress on the inspiration of the ad.
以广告艺术服从广告目标，突出广告的感召力。 - Owing to the incorporation of fuzzy language, literary art can transcend aesthetic object as well as aesthetic subject; thereby enlarge the artistic space, and obtain aesthetic feeling.
文学作品中模糊语言的使用可以使文学艺术穿越审美主体和审美客体，从而扩大艺术空间，获得审美情感。 - There has been the connection between Chinese calligraphy art with furniture in ancient times, this thesis regards Ming furniture and Chinese calligraphy art as the research object, excavate the original reason that Chinese calligraphy art influence on Ming furniture.
中国书法艺术与家具的联系古已有之，本论文是以明式家具和中国书法艺术为研究对象，挖掘中国书法艺术对明式家具影响的背后成因。 - It is not only a kind of form of turning environmental art design into object, but also a carrier of conveying the thought of the designer.
它不仅是环境艺术设计方案的一种物化表现形式，更重要的是对设计者思想传达的载体。 - From the very beginning, he distinguishes aesthetics from the theory of art, and determines the object of aesthetics is the aesthetic relation.
蒋孔阳有一个较高的逻辑起点，一开始就将美学与艺术学做了区别，确认美学的对象是审美关系。 - There is a misconception in modem philosophical aesthetical existence which takes art as a split object between objectivity and aesthetical subjectivity.
中国当代哲学美学存在将艺术作为一个客观的与审美主体人分裂的对象来看待的误区。